
![]() How do you feel about being called a dog - and/or not quite human, or sub-human, unnatural, intrinsically disordered, not biological, unclean, heathen, pagan, infidel, heretic, wild, rabid, crazy, illegal, alien, or one of the long, long, list of ethnic[1], gendered, and other slurs some continue to endure today? So many people know this only too well. If you have more than one type of marginalised human identities then you may face this even more intensely. Today’s Gospel story puts such ‘dogs’ firmly in the centre of life and faith, in the figure of the one named as a Canaanite woman. Note well: this is someone not even given a name. For denying people’s true names and authentic identities is a game as old as time, and it is still well and truly alive today. Every day, there are people treated like dogs who, at best, can only aspire to the crumbs which fall from the tables of the privileged. This story therefore is still our story as a human race, and the light it brings comes from speaking in crumbs…
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![]() I want to begin by inviting you to look up - Look – here! at this trinity of angels, symbolising Courage, Compassion and Joy. Jyllie Jackson, the artist who with her team created them, saw these as qualities particularly embodied – incarnated indeed – here in our community at Pitt St Uniting Church. Those of us who worship here regularly – can we see ourselves I wonder? It is hard sometimes to see ourselves as others see us! And those of you visiting here today – I wonder what aspects of yourselves you see here in our angels? For they are icons of incarnation... ![]() Human beings need to sing and dance and feast – and tell stories. This is one reason COVID-19 times have been so hard for us. It is natural for us as a species to gather for ceremony and to share the stories that shape our lives and give them meaning and purpose. Today we have a story – a story of hesitating and holding and humanity... ![]() One of my favourite stories of transgender resistance to oppression comes from India. A group of hijra people were being harassed and humiliated. Of course, this was/is nothing new. Whilst hijra have their gender officially recognised on the Indian subcontinent, they are outcasts among outcasts, typically living on the margins, in the very poorest quarters, and they stir a range of reactions in others. Like all marginalised people, behind their own remarkable brave lives lies terrible and very real fear, and many sad stories: of the sex trade and exploitation, of cruel and/or dangerous castrations, of being cast out and shamed.[1] In one community this shaming grew intolerable. Exclusion, humiliation and actual physical and sexual violence grew exponentially. What could the hijra do? The law, politicians, even religious leaders, did not care. They were actually deeply complicit. Then, after one particularly awful day, the hijra hatched a plan. In the early hours of the morning, after stripping off their undergarments, they would walk, en masse, to the houses of the worst abusers, rattling pots and pans, bells and whistles, and anything they could put their hands on, seeking to wake up the whole neighbourhood, and make the maximum impact. This they did, raising a mighty commotion. Then, they waited whilst the worst offenders, particularly the leading fathers of the community, opened their doors and windows, and came out to see what the terrible din was all about. Standing in line, shoulder to shoulder, the hijra together then took hold of the hems of their dresses, and, with an extraordinary shriek and song of pride, lifted them up, and displayed their genitalia, in all their glory. All those who watched on were taken aback, not only with shock, but with shame. For the hijra had turned the tables on them. The shame now rested on those who were rightly shameful. The powerless had, if only temporarily, transformed the powers that oppressed them, into tools of life and liberation... ![]() Henri Nouwen, a Dutch Catholic priest, once said that “somewhere we know that without silence, words lose their meaning”. When there is silence, words also become infinitely more powerful. An enfleshed Word, like an infant Jesus – remembering that the word ‘infant’ comes from the Greek for ‘not speaking’ – carries most meaning of all; ‘the Word without a word’ as T.S Eliot expressed it in his poem Ash Wednesday... ![]() All through Advent we have been enjoying a wonderful art display here at St. Luke's exploring the themes of advent and incarnation. It has set me thinking about what I would paint on this theme if I was an artist. I wonder what you would put into a picture of Christmas for instance. Any one like to suggest something? I want to go back to the picture of the nativity - Mary and Joseph, the shepherds, the angels and the wise men. It is the picture familiar to us from our crib scene here in church and as a symbol of Christmas it cannot really be bettered I think. We have of course St. Francis of Assisi to thank for our Christmas crib, for it was he who first set up a manger scene, with ox and ass and invited local villagers to celebrate the Eucharist around the manger. And I have been struck very much by this year by the power of this scene as an expression of the gospel, understood as the good news that in Christ every division is overcome and brought to wholeness... ![]() The first Christmas sermon I preached here in Toowoomba empolyed words of a great poet songwriter singer: Leonard Cohen who, sadly for us, died recently. Let me then preach my final Christmas sermon here with reference to the words of another great poetic songwriter singer: Bob Dylan, who was recently awarded a Nobel Prize in Literature. For like Leonard Cohen, Dylan’s lyrics have typically been grounded in a relationship to existence which we can call religious, in the very best sense of that word: namely a relationship which is not always conventional, and certainly not ‘churchy’, but which is always seeking to connect with the deepest ground of our being. It is from this place that we find our truest meaning, both for our individual lives and for our families, communities and wider world. For, in Dylan’s words which take us to the heart of the feast of Christ’s nativity, whoever ‘is not busy being born is busy dying.’ In the nativity we see the ultimate meaning, source and purpose of life. We are invited to share that light and love, by allowing it to be born more fully in us and the world around us… Joseph has a problem! Mary's pregnant and the baby is not his. It is not exactly a unique problem. This is the kind of scrape that appears somewhere in most people's family history, no matter how much pontificating and covering up goes on. I am sure we all have tales we could tell of the judgments that family members make of one another, and of the harshness of some 'good Christians'...
![]() Jon Inkpin for Midnight Mass, Christmas Eve 2014 Who among us, I wonder, is afraid of the dark?… All of us I suspect. For if we are not afraid of actual physical darkness, then we are prone to fear the darkness of so much in our world, and in ourselves: the darkness of the unknown, the darkness of loss and separation, the darkness of pain, the darkness of death. So as we gather here today, we bring such darkness with us and we also share the darkness of our wider world. Christmas, of course, like Easter, begins in darkness, which is why we perhaps spend so much time trying to avoid that darkness: putting up lights etc, which, wonderful though they are, can be but veils over our sadness, our separations and our sufferings… ![]() by Penny Jones, Pentecost 9 Year A At first sight it may seem odd that the lectionary brings together today the two great stories of the selling of Joseph into slavery and of Jesus walking on the water and saving Peter. They are both rich stories, full of connection to our own lives of faith, yet what unites them? Well let's notice first the parallels between the story of Joseph and the story of Jesus - parallels that would have been immediately obvious to Matthew's readers, which we tend to forget. In both their stories we find the motif of the hero who is envied, betrayed, left for dead and yet rises again. Joseph is betrayed and sold by his brothers for twenty pieces of silver. Judas who was a shrewd keeper of the purse obviously allowed for inflation when he betrayed Jesus for thirty. Both stories are telling us that spiritual leaders who claim a direct line to God and speak truth to power, tend to find themselves very unpopular. Indeed there is that in human nature which seeks to kill the divine when it is seen in humanity. We recognise the truth of this as we look back over history to the great martyrs of our faith, all of whom have suffered and died for their refusal to accept the ways of the world. So the story of Joseph is if you like an archetypal story, a story that reveals patterns of human behaviour that are true for all times and places. And his story foreshadows the story of Jesus, just as the stories of later martyrs recapitulate that same story, tell it over again. It is a story of dying and rising. A story whose pattern is recognised and known deep within every human being, and found in its simplest form in our own bodies' rhythms of inhalation and exhalation. This is why the story has power for us, because it is our story, our truth that gives shape to our living... |
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sermons and reflections from Penny Jones & Josephine Inkpin, a married Anglican clergy couple serving with the Uniting Church in Sydney Archives
June 2023
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