|Pen and Ink Reflections||
I love being trans. How about you? No, I am not so much speaking about being transgender, as about simply being human, or at least a Christian variety thereof: in other words, about being a person who is transfiguring. That is each and every one of us. This is not to downplay the significance of someone being transgender, or otherwise. After all, we still have some way to go in working through that. The particularity of each of our human lives really matters. Each transgender life and story is also unique: a special creation in God’s love. Yet, the more I reflect upon it, in a powerful sense, in the divine economy, being transgender is also a way of helping us all recognise that each of us is continually invited to embrace transfiguration. For, as human beings, as Christians, we are never fixtures but loved works in process. What we shall be is not what we are now. All that is loving in our past and present is indeed taken up into what we shall be. In the glory of God however, we are, and will be, so much than we can ever imagine. This is part of the gift of the Feast of the Transfiguration of Christ which we celebrate today…
by Jon Inkpin, for Pentecost 7A, Sunday 27 July 2014 (St.Luke, Toowoomba)
There is a great little art exhibition at the moment: in the Crows Nest Art Gallery. If you haven’t seen it, I encourage you to do so before it ends (on 3 August). The exhibition is by two talented local young artists, one of whom is our own Katherine Appleby. Katherine’s subject for this exhibition centres on fairytales and she has created some wonderful works, not least a powerful piece called ‘Fear’. In this, we see what appears to be a young girl walking into the midst of a dark forest, where wolves and wolf-like heads, eyes and mouths glisten in the darkness. Even the trees are dark and bare, devoid of foliage, symbolising the darkness and threat of fear itself. Isn’t that a powerful picture of how fear can feel to us? Look again though, and perhaps you may see other things. What, for instance, is the really fearful thing in the painting? Is it the dark woods? Is it the closure of the path and of the light? Is it the wolves? Or is it the girl herself? Is she, so central to the picture, actually the true source and figure of fear? Why, for instance, is she walking into the forest, into the darkness away from the light? She stands very self-possessed. So is she afraid of the woods and the wolves? Or are they afraid of her? The painting you see, like any fine work of art, reveals more as we look at it. It asks us not one but many questions, some of them surprising. It is an invitation to mystery, rather than a mere description or proclamation of the straightforward. Indeed, if you look very closely at Katherine’s painting of ‘Fear’ you will see that the girl’s face is also partly an old and partly a young face. As such, it expresses the awesome ambiguity of life, truth and our human condition. Which way of looking, being and living will we choose?
Religion at its best is in many ways akin to art at its best, especially in its capacity to invite us into the awesome ambiguities of life. It is an invitation to mystery, not a mere description or safeguard of the straightforward. It is a means, like great art, by which we can hold our fear and our suffering and not be overwhelmed. It is a path on which we can walk with courage, through the darkness around and within us, through the grace of God, into the light and love of God...
sermons and reflections from Penny Jones & Jo Inkpin,